1 00:00:03,280 --> 00:00:05,280 (light music playing) 2 00:00:10,320 --> 00:00:13,960 NARRATOR: Lang Lang is a unique artist and certainly a unique classical artist, 3 00:00:14,040 --> 00:00:16,200 because this guy has superpowers. 4 00:00:17,680 --> 00:00:20,640 The highest echelon of classical piano playing. 5 00:00:24,240 --> 00:00:29,120 Lang Lang at an early age, like, three, was already playing the piano. 6 00:00:30,200 --> 00:00:32,680 And he had all the world's greatest piano literature 7 00:00:32,760 --> 00:00:34,720 to fill his days and his soul. 8 00:00:38,080 --> 00:00:41,160 There's a stereotype of a classical pianist, 9 00:00:41,240 --> 00:00:44,040 staid and composed and proper, 10 00:00:44,120 --> 00:00:46,160 but Lang Lang, he's more like a rock star. 13 00:00:46,920 --> 00:00:50,120 With Lang Lang, there's always another chapter, 14 00:00:50,200 --> 00:00:52,520 and another level, and another form of expression. 15 00:00:58,240 --> 00:01:00,360 He wanted to do these famous songs from Disney. 16 00:01:01,120 --> 00:01:03,720 A lot of these songs he knew them in his heart. 17 00:01:03,800 --> 00:01:04,920 They meant something to him. 18 00:01:08,000 --> 00:01:11,920 So when you combine that with the world's greatest piano player, 19 00:01:12,000 --> 00:01:13,240 it's like fireworks. 20 00:01:19,640 --> 00:01:21,720 (melodic music playing) 21 00:01:33,480 --> 00:01:35,760 It's a big production. (chuckles) 22 00:01:36,920 --> 00:01:40,040 NARRATOR: Combining Lang Lang and Disney songs, 23 00:01:40,120 --> 00:01:42,320 and the Royal Albert Hall is like the Holy Grail. 24 00:01:42,400 --> 00:01:44,840 The architecture of the building, the history of the building. 25 00:01:44,920 --> 00:01:46,240 This is a special environment. 26 00:01:51,560 --> 00:01:52,360 Let's go. 27 00:01:53,280 --> 00:01:56,040 NARRATOR: The music rising from the stage and the orchestra, 28 00:01:56,120 --> 00:01:58,640 everybody dressed to the nines and playing their hearts out. 29 00:01:58,720 --> 00:02:01,640 For a moment, music carries you away to this other place. 30 00:02:06,960 --> 00:02:09,960 (audience applauding) 31 00:02:14,920 --> 00:02:15,920 LANG LANG: Thank you. 32 00:02:16,440 --> 00:02:18,200 Thank you very much. Beautiful. 33 00:02:18,680 --> 00:02:19,640 How are you? 34 00:02:24,680 --> 00:02:25,480 Thank you. 35 00:02:29,480 --> 00:02:30,640 (applause stops) 36 00:02:35,640 --> 00:02:37,640 ("Beauty and the Beast" instrumental playing) 37 00:06:36,120 --> 00:06:38,120 (music fades) 38 00:06:44,880 --> 00:06:46,920 (audience applauding) 39 00:06:58,440 --> 00:07:00,840 (light music playing) 40 00:07:03,280 --> 00:07:05,440 Four, take one, Alpha, Bravo, and Charlie, mark. 41 00:07:05,520 --> 00:07:06,320 MAN: Mark hit. 42 00:07:08,160 --> 00:07:13,200 As a kid, I actually had a very tough practicing process. 43 00:07:13,280 --> 00:07:17,320 MOMENTO FROM 4 MONTHS OLD 44 00:07:20,400 --> 00:07:22,280 RON: Those early years for him were very, very challenging, 45 00:07:22,360 --> 00:07:25,120 there's a lot of piano competitions, there's a lot of pressure, 46 00:07:25,200 --> 00:07:26,920 a lot of pressure on a young boy. 47 00:07:27,000 --> 00:07:30,200 In this new generation, everybody has a lot of, uh, 48 00:07:31,320 --> 00:07:32,600 you know, hobbies. 49 00:07:32,680 --> 00:07:35,400 LANG LANG: But when I was a kid, I... I maybe more focused in music. 50 00:07:35,480 --> 00:07:39,720 He's always very passionate, and he's always very authentic. 51 00:07:39,800 --> 00:07:44,240 His story, really kind of reflects also a lot of Disney values. 52 00:07:44,320 --> 00:07:47,800 GINA: To believe in your dreams, and also to always stay brave, 53 00:07:48,120 --> 00:07:51,080 to take challenges and risks, 54 00:07:51,160 --> 00:07:53,720 and mostly important, um, to have a good heart. 55 00:07:53,800 --> 00:07:55,240 I did a lot of practicing, 56 00:07:55,320 --> 00:07:59,160 and, uh, I think I did six hours when I was six years old, 57 00:07:59,240 --> 00:08:04,480 because I had to go through all those major, minor keys of scales, 58 00:08:04,560 --> 00:08:07,840 arpeggios, chords, octave, 59 00:08:07,920 --> 00:08:14,760 and then I get into the music pieces from Bach, Mozart, to Chinese folk music. 60 00:08:14,840 --> 00:08:19,720 So every day, I actually only have, like, 30 minutes to watch, uh, television, 61 00:08:19,800 --> 00:08:22,400 and then I use that 30 minutes to watch cartoons. 62 00:08:22,480 --> 00:08:25,640 LANG LANG: Mickey Mouse, Donald Duck, Goofy, you know, 63 00:08:25,720 --> 00:08:27,400 all those great characters. 64 00:08:27,480 --> 00:08:31,720 This great animation, you know, inspired me, 65 00:08:31,800 --> 00:08:37,520 helping me to understand life, helping me to learn different cultures, 66 00:08:37,600 --> 00:08:41,560 it's also an escape from my hard practicing, 67 00:08:41,640 --> 00:08:46,160 my magic carpet, you know, for 30 minutes every day. 68 00:08:49,320 --> 00:08:53,600 Classical music's part of the success of Disney films. 69 00:08:53,680 --> 00:08:56,280 The music style of Disney 70 00:08:56,360 --> 00:08:59,800 has to be passionate, touching people's hearts, 71 00:08:59,880 --> 00:09:02,440 it has to be emotional. 72 00:09:03,200 --> 00:09:07,160 After Lang Lang became a father, his heart became stronger, 73 00:09:07,240 --> 00:09:08,720 and softer at the same time. 74 00:09:08,800 --> 00:09:13,800 LANG LANG: Something really changes me is when I'm having my first kid. 75 00:09:13,880 --> 00:09:17,800 Once I started playing Tarzan, I found that, through him, 76 00:09:17,880 --> 00:09:20,120 a new Disney journey just start, 77 00:09:20,200 --> 00:09:23,640 and I felt more connected to the character. 78 00:09:24,560 --> 00:09:26,560 (audience cheering) 79 00:09:41,080 --> 00:09:42,280 (applause stops) 80 00:09:45,160 --> 00:09:47,400 ("You'll Be In My Heart" playing) 81 00:09:54,680 --> 00:09:58,880 ♪ Come stop your crying It will be all right ♪ 82 00:09:59,400 --> 00:10:03,720 ♪ Just take my hand, hold it tight ♪ 83 00:10:03,800 --> 00:10:08,600 ♪ I will protect you from all around you ♪ 84 00:10:08,680 --> 00:10:13,760 ♪ I will be here, don't you cry ♪ 85 00:10:23,360 --> 00:10:27,560 ♪ This bond between us can't be broken ♪ 86 00:10:27,640 --> 00:10:32,240 ♪ I will be here, don't you cry ♪ 87 00:10:32,920 --> 00:10:37,320 ♪ You'll be in my heart ♪ 88 00:10:37,400 --> 00:10:41,400 ♪ Yes, you'll be in my heart ♪ 89 00:10:42,440 --> 00:10:49,440 ♪ From this day on, now and forever more ♪ 90 00:11:02,040 --> 00:11:08,720 ♪ From this day on, now and forever more ♪ 91 00:11:15,160 --> 00:11:19,520 ♪ Why can't they understand the way we feel ♪ 92 00:11:20,200 --> 00:11:24,240 ♪ They just don't trust what they can't explain ♪ 93 00:11:24,920 --> 00:11:29,800 ♪ I know we're different but deep inside us ♪ 94 00:11:29,880 --> 00:11:34,680 ♪ We're not that different at all ♪ 95 00:11:34,760 --> 00:11:39,480 ♪ You'll be in my heart ♪ 96 00:11:39,560 --> 00:11:43,760 ♪ Yes, you'll be in my heart ♪ 97 00:11:44,560 --> 00:11:47,120 ♪ From this day on ♪ 98 00:11:47,200 --> 00:11:52,080 ♪ Now and forever more ♪ 99 00:12:04,240 --> 00:12:11,040 ♪ Destiny calls you, you must be strong ♪ 100 00:12:11,920 --> 00:12:18,400 ♪ May not be with you but you've got to go on ♪ 101 00:12:19,200 --> 00:12:25,840 ♪ They'll see in time ♪ 102 00:12:26,760 --> 00:12:30,520 ♪ I know ♪ 103 00:12:30,600 --> 00:12:37,600 ♪ We'll show them together ♪ 104 00:12:37,680 --> 00:12:42,000 (vocalizing) 105 00:12:43,040 --> 00:12:47,520 ♪ You'll be here in my heart ♪ 106 00:12:47,600 --> 00:12:53,240 ♪ Yes, you'll be in my heart ♪ 107 00:12:53,320 --> 00:12:55,720 ♪ From this day on ♪ 108 00:12:55,800 --> 00:13:02,800 ♪ Now and forever more ♪ 109 00:13:06,440 --> 00:13:13,160 ♪ You'll be in my heart ♪ 110 00:13:17,240 --> 00:13:24,080 ♪ You'll be in my heart ♪ 111 00:13:26,000 --> 00:13:33,000 ♪ Forever and always ♪ 112 00:13:37,880 --> 00:13:41,320 ♪ Always ♪ 113 00:13:46,760 --> 00:13:52,680 ♪ I'll be with you always ♪ 114 00:13:58,560 --> 00:14:05,560 ♪ I'll be with you always ♪ 115 00:14:05,640 --> 00:14:10,560 (vocalizing) 116 00:14:11,480 --> 00:14:13,760 (piano music continues) 117 00:14:41,600 --> 00:14:44,880 (music fades) 118 00:14:44,960 --> 00:14:49,480 (audience applauding) 119 00:14:49,560 --> 00:14:51,600 -Hey, great. That's great. -Bless you. 120 00:14:52,640 --> 00:14:53,680 ALFIE: Thank you. 121 00:15:13,960 --> 00:15:15,880 ("Feed The Birds" instrumental playing) 122 00:17:47,600 --> 00:17:49,600 (music ends) 123 00:17:52,120 --> 00:17:55,720 (audience applauding) 124 00:17:57,800 --> 00:17:58,680 (mouthing) Thank you. 125 00:18:11,400 --> 00:18:13,400 (serene music playing) 126 00:18:17,400 --> 00:18:21,680 In our world, classical music world, there always a danger, 127 00:18:21,760 --> 00:18:24,240 like, how far you can go. 128 00:18:24,320 --> 00:18:27,320 Sometimes in classical musical world, we're so comfortable. 129 00:18:27,400 --> 00:18:29,800 You know why? Because every repertoire we play 130 00:18:29,880 --> 00:18:32,480 is already existing for 200 years. 131 00:18:32,560 --> 00:18:37,920 If you look into the Hollywood, if you look into, uh, popular culture, 132 00:18:38,360 --> 00:18:41,200 if they don't create something new, they're out. 133 00:18:41,720 --> 00:18:45,880 They're absolutely out, nobody will remember them in five years. 134 00:18:46,280 --> 00:18:48,360 Yeah, so... so that's a huge difference. 135 00:18:48,440 --> 00:18:54,000 We have to communicate and we have to make some sound. 136 00:18:56,440 --> 00:18:59,960 He loves creating visions and new journeys. 137 00:19:00,040 --> 00:19:02,640 One day he plays Tchaikovsky Piano Concerto, 138 00:19:02,720 --> 00:19:05,840 the next day he plays Bach's Goldberg Variations. 139 00:19:05,920 --> 00:19:09,360 GINA: And then next week, he plays a beautiful Disney program. 140 00:19:09,440 --> 00:19:13,160 So I think it's very fascinating that he can connect these worlds. 141 00:19:13,240 --> 00:19:16,680 He can make very complex and intellectual music, 142 00:19:16,760 --> 00:19:19,560 like, approachable to everyone. 143 00:19:19,640 --> 00:19:23,200 And he can connect people's hearts through music. 144 00:19:26,080 --> 00:19:30,840 Disney music had this magic power to take the audience into a fantasy world. 145 00:19:32,600 --> 00:19:39,520 When you have all those melodies, this is really not just from one culture. 146 00:19:39,600 --> 00:19:41,480 You have Mulan from China, 147 00:19:41,560 --> 00:19:44,720 you have Aladdin from the Middle East. 148 00:19:44,800 --> 00:19:49,360 You have Encanto from Colombia, or Coco from Mexico. 149 00:19:49,600 --> 00:19:54,200 You have a lot of European fairy tales, American-based stories. 150 00:19:54,280 --> 00:19:57,880 You just kind of get your eyes open. 151 00:19:58,520 --> 00:20:03,360 This is the way we should, you know, kind of try to understand music. 152 00:20:03,440 --> 00:20:06,000 I'm trying to get out from the comfort zone, 153 00:20:06,080 --> 00:20:10,240 to create something together with spectacular Disney music, 154 00:20:10,320 --> 00:20:14,280 but in a classical music style, to approach new audience, 155 00:20:14,360 --> 00:20:17,200 and to give them new story to tell. 156 00:20:18,960 --> 00:20:21,760 (audience applauding) 157 00:20:22,720 --> 00:20:24,840 ("We Don't Talk About Bruno" instrumental playing) 158 00:22:29,720 --> 00:22:31,040 (music ends) 159 00:22:35,760 --> 00:22:37,760 (audience applauding) 160 00:22:48,800 --> 00:22:51,560 ("Remember Me" instrumental playing) 161 00:27:39,720 --> 00:27:41,080 (music ends) 162 00:27:41,160 --> 00:27:44,160 (audience applauding) 163 00:28:02,520 --> 00:28:06,680 Can we just practice one more place before... 164 00:28:06,760 --> 00:28:09,080 I... I mean, the hard place. 165 00:28:09,320 --> 00:28:10,760 For me, it's a bit too slow. 166 00:28:10,840 --> 00:28:13,160 (vocalizing) 167 00:28:13,240 --> 00:28:15,800 -(man humming a tune) -Otherwise, I couldn't follow the... Yeah. 168 00:28:15,880 --> 00:28:20,920 (harmonizing) 169 00:28:21,000 --> 00:28:22,000 So like the first two hours… 170 00:28:22,080 --> 00:28:24,360 HENRY: Lang Lang is just a person who... 171 00:28:24,760 --> 00:28:26,440 He's on a different wavelength. 172 00:28:26,520 --> 00:28:30,280 He's floating on a cloud, he's picking things out of the universe, 173 00:28:30,360 --> 00:28:32,280 and flying on the magic carpet, 174 00:28:32,360 --> 00:28:34,880 and allowing himself to, like, go into this world. 175 00:28:34,960 --> 00:28:36,560 Like-- He doesn't restrain himself. 176 00:28:37,120 --> 00:28:39,240 I think that's a little unusual for classical music 177 00:28:39,320 --> 00:28:43,120 where the notes and the ink rule the day. 178 00:28:43,200 --> 00:28:44,640 -That was beautiful. -MAN: That was beautiful. 179 00:28:44,720 --> 00:28:47,080 -LANG LANG: Okay, Reflection. -MAN: Reflection. 180 00:28:47,160 --> 00:28:53,200 One of the challenge of this project is actually quite hard one. 181 00:28:53,280 --> 00:29:00,120 How to make already existing great melodies from Disney films itself 182 00:29:00,200 --> 00:29:02,720 into a pianistic work with orchestra? 183 00:29:02,800 --> 00:29:05,920 Do you want that a little-- Is that a little held in tempo? 184 00:29:06,000 --> 00:29:08,080 -LANG LANG: Uh, D, yeah? One second. -Yeah. After the… 185 00:29:08,160 --> 00:29:10,720 (vocalizing) 186 00:29:11,280 --> 00:29:15,080 -Maybe from those octaves, yeah? -Yeah, sure. Three bars before. 187 00:29:15,600 --> 00:29:18,240 We knew that we wanted to do these famous songs from Disney. 188 00:29:18,960 --> 00:29:22,240 And the question, with an artist like Lang Lang, is, 189 00:29:22,320 --> 00:29:25,840 his level of approaching the piano is it's so highly evolved, 190 00:29:25,920 --> 00:29:28,880 the highest echelon of classical piano playing. 191 00:29:28,960 --> 00:29:31,840 What do you give to the world's greatest piano player 192 00:29:31,920 --> 00:29:34,280 to convey these songs and these melodies? 193 00:29:34,360 --> 00:29:38,560 LANG LANG: We were very lucky to work with, uh, many of the greatest 194 00:29:38,640 --> 00:29:40,720 piano arranger in the world. 195 00:29:41,320 --> 00:29:43,000 You have to re-write a lot of things. 196 00:29:43,080 --> 00:29:46,040 We actually have the rhythm, we have the harmony, 197 00:29:46,120 --> 00:29:48,000 we have the arpeggios, 198 00:29:48,080 --> 00:29:49,680 we have the octaves. 199 00:29:49,760 --> 00:29:53,200 You can feel this is a real chamber music. 200 00:29:53,280 --> 00:29:55,520 This is a... a piano concerto. 201 00:29:55,600 --> 00:29:59,280 And that gave me the great joy to do it. 202 00:29:59,360 --> 00:30:03,760 So, what you do is, probably, you cut, like, here, remember? 203 00:30:03,840 --> 00:30:05,240 (soft melody playing) 204 00:30:09,120 --> 00:30:12,160 Wow, that was... That is a powerful rehearsal. 205 00:30:12,240 --> 00:30:16,640 I see how much heart and spirit and soul he puts into this project, 206 00:30:16,720 --> 00:30:21,880 and, um, to find great musicians to collaborate with, to find composers, 207 00:30:21,960 --> 00:30:26,280 to find the best and unique and virtuoso, um, arrangements, 208 00:30:26,360 --> 00:30:27,920 to make people happy, 209 00:30:28,000 --> 00:30:31,560 and to let everyone enjoy the beauty of Disney music. 210 00:30:31,640 --> 00:30:35,440 His thing really is to convey emotion through the piano. 211 00:30:35,520 --> 00:30:39,160 Now when you match that up with this incredible technical facility 212 00:30:39,240 --> 00:30:41,200 where every option is open to him, 213 00:30:41,920 --> 00:30:44,000 it's like the ten fingers add up to a hundred. 214 00:30:44,080 --> 00:30:48,040 The bar is set so high, so thought through, 215 00:30:48,120 --> 00:30:50,160 and it all comes down to storytelling. 216 00:30:50,240 --> 00:30:53,960 LANG LANG: Piano has to be absolutely there, 217 00:30:54,040 --> 00:30:56,040 fairy tale style playing. 218 00:30:56,120 --> 00:30:59,720 All those delicacy technique, light, fast. 219 00:30:59,800 --> 00:31:03,120 Technique has to serve music hundred percent. 220 00:31:03,200 --> 00:31:05,000 And if that's too much, we have to cut. 221 00:31:05,080 --> 00:31:08,800 It's not-- This is not just making some kind of a look, 222 00:31:08,880 --> 00:31:10,240 you know, kind of a gimmick that, 223 00:31:10,320 --> 00:31:13,400 "Hey, look, my hand is all over the place." 224 00:31:13,480 --> 00:31:16,040 One may need the hands to be all over the place, 225 00:31:16,120 --> 00:31:17,800 we have to be there, right? 226 00:31:17,880 --> 00:31:21,240 But if we don't need it, if it's too much, we have to cut. 227 00:31:21,320 --> 00:31:22,960 We have to serve music. 228 00:31:26,400 --> 00:31:28,400 ("A Whole New World" instrumental playing) 229 00:35:14,040 --> 00:35:16,440 (music fades) 230 00:35:16,520 --> 00:35:20,920 (audience applauding) 231 00:35:41,040 --> 00:35:42,840 ("Reflection" instrumental playing) 232 00:39:55,240 --> 00:39:56,960 (music fades) 233 00:40:04,480 --> 00:40:06,160 (audience applauding) 234 00:40:06,920 --> 00:40:07,920 Beautiful. Beautiful. 235 00:40:22,840 --> 00:40:24,400 -LANG LANG: Hello, everyone. -STUDENT 1: Hello. 236 00:40:24,480 --> 00:40:26,400 -LANG LANG: How are you this morning? -STUDENT 2: Hi. 237 00:40:26,480 --> 00:40:27,480 LANG LANG: Hey. 238 00:40:29,960 --> 00:40:31,080 (Lang Lang chuckles) 239 00:40:31,160 --> 00:40:34,240 -How long have you all learned piano? -STUDENT 3: Three years. 240 00:40:34,320 --> 00:40:35,320 Three years already? 241 00:40:35,920 --> 00:40:37,360 LANG LANG: This guy's a musician. 242 00:40:37,440 --> 00:40:39,560 Maybe I... I should hear you play a little bit. 243 00:40:39,640 --> 00:40:42,480 So let's have some fun with your music first, 244 00:40:42,560 --> 00:40:44,600 and then we go from there, okay? 245 00:40:44,680 --> 00:40:46,200 We know through all the years 246 00:40:46,280 --> 00:40:50,040 what kind of effect music has on children's lives. 247 00:40:52,920 --> 00:40:54,400 GINA: Some of the children 248 00:40:54,480 --> 00:40:58,800 don't necessarily have the opportunity to get close 249 00:40:58,880 --> 00:41:03,280 and to get in contact with music and to learn an instrument. 250 00:41:03,360 --> 00:41:05,880 So what Lang Lang does since 2008 already, 251 00:41:05,960 --> 00:41:08,280 he started his foundation in 2008, 252 00:41:08,360 --> 00:41:10,240 is to go into public schools 253 00:41:10,320 --> 00:41:14,240 where music is actually not in the curriculum anymore. 254 00:41:14,320 --> 00:41:18,240 Normally, I like to... to visit, uh, the schools everywhere I go. 255 00:41:18,960 --> 00:41:24,000 We have around 100 schools around the world, in China, in the U.S., 256 00:41:24,080 --> 00:41:25,840 and now we're coming to Europe. 257 00:41:25,920 --> 00:41:29,560 And it's quite important that we support the kid to learn music, 258 00:41:29,640 --> 00:41:35,640 particularly at the more disadvantaged area in the city. 259 00:41:35,720 --> 00:41:38,200 So I play the bass line and then you can... 260 00:41:38,280 --> 00:41:43,920 (vocalizing) 261 00:41:44,520 --> 00:41:45,840 Good, good, good. 262 00:41:45,920 --> 00:41:49,200 I'm getting tired of looking into the schools, 263 00:41:49,280 --> 00:41:52,640 you know, going there only once in our lifetime, 264 00:41:52,720 --> 00:41:57,280 and then we're happy about it, but actually, you didn't really help much. 265 00:41:57,360 --> 00:41:59,920 LANG LANG: After a musician's gone, they are back to normal. 266 00:42:00,000 --> 00:42:02,720 No music class. We need to take action. 267 00:42:02,800 --> 00:42:07,680 Really get deep into the school system. 268 00:42:07,760 --> 00:42:12,720 Our aim is to improve our education tools. 269 00:42:12,800 --> 00:42:17,360 We always have the smart digital pianos in one class, 270 00:42:17,440 --> 00:42:20,160 20 to 30, uh, digital pianos. 271 00:42:20,240 --> 00:42:26,680 Each kid not only listening to the class, but they have the possibility to play. 272 00:42:26,760 --> 00:42:29,080 That's the aim. Yeah, you have to touch the keys. 273 00:42:31,680 --> 00:42:34,320 (students murmuring) 274 00:42:35,920 --> 00:42:38,120 Every time when I'm visiting a school, 275 00:42:38,200 --> 00:42:41,280 the kids always ask me, "Hey, can you play some Disney music?" 276 00:42:41,360 --> 00:42:46,240 After The Disney Book, I'm much more equipped, 277 00:42:46,320 --> 00:42:50,680 I think now it's so much more fun with the, you know, the repertoire I know, 278 00:42:50,760 --> 00:42:52,080 and to share with the kid. 279 00:42:52,160 --> 00:42:53,960 And also ask them to learn. 280 00:42:54,040 --> 00:42:55,040 GINA: So many children, 281 00:42:55,120 --> 00:42:58,920 they love so much more of going to school because of those music classes. 282 00:42:59,000 --> 00:43:01,520 And it builds their confidence, 283 00:43:01,600 --> 00:43:04,480 and they can achieve their dreams through music 284 00:43:04,560 --> 00:43:06,760 because they see that they're strong. 285 00:43:06,840 --> 00:43:09,360 It's all inside of them already. 286 00:43:09,440 --> 00:43:13,080 It just needs this spark, this chance to come out. 287 00:43:13,160 --> 00:43:18,440 Music is the most fair, should be the most fair art form. 288 00:43:18,520 --> 00:43:23,640 No matter what background you are, on stage, we're all equal. 289 00:43:23,720 --> 00:43:27,400 LANG LANG: On stage, if you're great, the world will choose you. 290 00:43:28,760 --> 00:43:30,520 (laughs) 291 00:43:37,320 --> 00:43:39,680 ("Can You Feel The Love Tonight" instrumental playing) 292 00:45:54,840 --> 00:45:56,720 (music ends) 293 00:45:56,800 --> 00:45:59,480 (audience cheering and applauding) 294 00:46:03,320 --> 00:46:05,280 LANG LANG: Thank you. Thank you. Thank you. 295 00:46:05,360 --> 00:46:06,520 Thank you. Thank you. 296 00:46:06,600 --> 00:46:07,600 Thank you. 297 00:46:07,680 --> 00:46:09,680 (upbeat piano music playing onscreen) 298 00:46:21,400 --> 00:46:23,000 LANG LANG: This actually I haven't seen. 299 00:46:24,480 --> 00:46:25,680 Rachmaninoff. 300 00:46:28,240 --> 00:46:29,280 Prelude. 301 00:46:51,160 --> 00:46:52,960 What an imagination. 302 00:46:58,640 --> 00:46:59,800 That's incredible. 303 00:46:59,880 --> 00:47:04,840 I got so impressed because, honestly, I didn't know this film. 304 00:47:05,800 --> 00:47:07,800 This is really a musician's life. 305 00:47:09,560 --> 00:47:11,360 Look, boxing with the piano. 306 00:47:12,800 --> 00:47:15,000 When the kid hate practicing, 307 00:47:15,080 --> 00:47:17,320 you know, like boxing his piano. (grunting) 308 00:47:17,400 --> 00:47:18,680 It's exactly like that. 309 00:47:21,400 --> 00:47:25,560 You'll see all different piano schools technique, 310 00:47:26,320 --> 00:47:28,640 is in that, uh, little film. 311 00:47:28,720 --> 00:47:32,960 I mean, the detail is incredible, you know, this love and hate to piano. 312 00:47:33,040 --> 00:47:35,040 (crowd applauding onscreen) 313 00:47:36,880 --> 00:47:39,200 This is always in our imaginations. 314 00:47:39,920 --> 00:47:43,560 I felt that Mickey Mouse already knows about this hundred years ago. 315 00:47:43,640 --> 00:47:45,200 I mean, this is really impressive. 316 00:47:45,280 --> 00:47:49,200 It's incredible that, uh, you see this in the very beginning. 317 00:47:49,280 --> 00:47:51,520 Classical music already, 318 00:47:51,600 --> 00:47:56,400 so much more multi-dimensional. 319 00:47:56,480 --> 00:47:58,480 (serene music playing) 320 00:48:00,840 --> 00:48:06,200 This is really proof that 100 years ago, 321 00:48:06,280 --> 00:48:11,960 Disney already focused classical music into their great creation. 322 00:48:12,040 --> 00:48:17,680 And, uh, to see this direct inspiration from classical music 323 00:48:17,760 --> 00:48:19,680 combined with Disney, 324 00:48:20,240 --> 00:48:22,360 uh, it... it's tremendous. 325 00:48:22,440 --> 00:48:29,240 Fascinating to see that connection in the such early stage in Disney's films. 326 00:48:33,080 --> 00:48:34,080 (bird chirping) 327 00:48:51,040 --> 00:48:52,880 (serene music ends) 328 00:48:53,920 --> 00:48:56,560 ("When You Wish Upon A Star" playing) 329 00:49:30,040 --> 00:49:33,440 ♪ When a star is born ♪ 330 00:49:33,520 --> 00:49:38,520 ♪ They possess a gift or two ♪ 331 00:49:39,480 --> 00:49:42,920 ♪ One of them is this ♪ 332 00:49:43,720 --> 00:49:48,400 ♪ They have the power ♪ 333 00:49:49,080 --> 00:49:55,480 ♪ To make a wish come true ♪ 334 00:49:56,640 --> 00:50:01,120 ♪ When you wish upon a star ♪ 335 00:50:01,200 --> 00:50:06,320 ♪ Makes no difference who you are ♪ 336 00:50:06,400 --> 00:50:11,200 ♪ Anything your heart desires ♪ 337 00:50:11,280 --> 00:50:17,280 ♪ Will come to you ♪ 338 00:50:17,920 --> 00:50:22,080 ♪ If your heart is in your dream ♪ 339 00:50:22,160 --> 00:50:26,360 ♪ No request is too extreme ♪ 340 00:50:26,440 --> 00:50:31,600 ♪ When you wish upon a star ♪ 341 00:50:31,680 --> 00:50:36,640 ♪ As dreamers do ♪ 342 00:50:36,720 --> 00:50:41,600 ♪ Fate is kind ♪ 343 00:50:41,680 --> 00:50:45,080 ♪ She brings to those who love ♪ 344 00:50:45,160 --> 00:50:48,120 ♪ The sweet fulfillment ♪ 345 00:50:48,200 --> 00:50:54,880 ♪ Of their secret longing ♪ 346 00:51:22,040 --> 00:51:25,680 ♪ Like a bolt out of the blue ♪ 347 00:51:26,360 --> 00:51:27,880 ♪ Fate steps in ♪ 348 00:51:27,960 --> 00:51:33,680 ♪ And sees you through ♪ 349 00:51:33,760 --> 00:51:38,840 ♪ When you wish ♪ 350 00:51:38,920 --> 00:51:41,800 ♪ Upon a star ♪ 351 00:51:41,880 --> 00:51:45,160 ♪ Your dreams ♪ 352 00:51:45,240 --> 00:51:50,360 ♪ Come ♪ 353 00:51:50,440 --> 00:51:57,080 ♪ True ♪ 354 00:52:09,040 --> 00:52:10,480 She's great. 355 00:52:32,040 --> 00:52:33,320 (applause stops) 356 00:52:34,440 --> 00:52:36,440 (dramatic orchestral music playing) 357 00:52:41,040 --> 00:52:43,040 (music crescendo) 358 00:53:14,320 --> 00:53:15,920 (music ends) 359 00:53:18,960 --> 00:53:20,960 ("Let It Go" instrumental playing) 360 00:56:40,240 --> 00:56:42,000 (music ends) 361 00:56:42,080 --> 00:56:45,600 (audience cheering and applauding) 362 00:56:45,680 --> 00:56:46,760 LANG LANG: Thank you. 363 00:56:47,480 --> 00:56:48,920 It is beautiful. 364 00:56:49,000 --> 00:56:50,560 Thank you. 365 00:56:58,240 --> 00:57:00,240 (cheering and applauding continues) 366 00:57:28,200 --> 00:57:33,120 LANG LANG: This concert really showed every aspect of our goal. 367 00:57:33,200 --> 00:57:38,640 The aim is to get everyone to have their own young heart moment, 368 00:57:38,720 --> 00:57:41,680 no matter how old or how young you are. 369 00:57:43,920 --> 00:57:47,880 Disney music had this magic power, you know, your mind can fly. 370 00:57:50,720 --> 00:57:56,000 And all those incredible musicians, that was kind of like my childhood dream. 371 00:57:56,080 --> 00:57:58,840 So I hope, you know, this, uh... 372 00:57:58,920 --> 00:58:02,640 this energy will inspire others around the world 373 00:58:02,720 --> 00:58:04,400 to achieve their dreams. 374 00:58:06,120 --> 00:58:08,120 (tranquil music playing) 1 00:00:10,320 --> 00:00:13,960 郎朗是獨特的藝術家 當然也是獨樹一格的古典音樂家 2 00:00:14,040 --> 00:00:16,200 因為這傢伙擁有超能力 3 00:00:17,440 --> 00:00:20,640 他是古典鋼琴界的第一把交椅 4 00:00:24,240 --> 00:00:29,120 郎朗早在三歲時就開始彈鋼琴 5 00:00:30,200 --> 00:00:32,680 他用世上最棒的琴譜 6 00:00:32,760 --> 00:00:34,720 填補他的時間和靈魂 7 00:00:38,480 --> 00:00:41,160 人們對於古典鋼琴家都有刻板印像 8 00:00:41,240 --> 00:00:43,720 認為他們很古板、穩重、得體 9 00:00:43,800 --> 00:00:46,120 但郎朗更像是一位搖滾巨星 10 00:00:47,240 --> 00:00:50,120 對郎朗來說，總會有另一個篇章 13 00:00:50,200 --> 00:00:52,520 另一種層次，及另一種表達方式 14 00:00:58,240 --> 00:01:00,360 他想演奏這些出自迪士尼的知名曲目 15 00:01:01,120 --> 00:01:03,640 他非常熟悉其中許多首歌曲 16 00:01:03,720 --> 00:01:05,240 對他來說意義非凡 17 00:01:08,160 --> 00:01:11,600 所以當這些曲子跟世上最偉大的鋼琴家碰撞在一起… 18 00:01:12,000 --> 00:01:13,400 就能激發出絢爛的煙火 19 00:01:28,240 --> 00:01:31,240 （皇家亞伯特音樂廳 今晚演出者：郎朗） 20 00:01:31,320 --> 00:01:32,760 （郎朗，化妝室） 21 00:01:33,480 --> 00:01:35,120 真是一個大製作 22 00:01:37,040 --> 00:01:39,880 將郎朗、迪士尼歌曲 23 00:01:39,960 --> 00:01:42,440 以及皇家亞伯特音樂廳相結合就像是美夢成真 24 00:01:42,520 --> 00:01:45,120 這棟建築的風格與歷史 25 00:01:45,200 --> 00:01:46,800 造就了一個獨特的環境 26 00:01:47,640 --> 00:01:49,680 （衹有今晚） 27 00:01:53,280 --> 00:01:55,400 樂聲從舞臺上悠悠響起 28 00:01:55,480 --> 00:01:58,720 管弦樂團的每個人都盛裝打扮、全心演奏 29 00:01:58,880 --> 00:02:01,640 有那麼一瞬間 音樂能帶你去另一個世界 30 00:02:03,760 --> 00:02:06,880 （郎朗琴音：迪士尼金曲） 31 00:02:15,000 --> 00:02:16,000 謝謝 32 00:02:16,800 --> 00:02:18,440 非常感謝各位，太美了 33 00:02:18,960 --> 00:02:20,040 你們好嗎？ 34 00:02:24,680 --> 00:02:25,480 謝謝 35 00:02:48,160 --> 00:02:53,720 （《美女與野獸》 出自電影《美女與野獸》） 36 00:07:03,360 --> 00:07:05,440 第四場第一次 A、B、C攝影機準備，打板 37 00:07:05,520 --> 00:07:06,560 打板 38 00:07:08,160 --> 00:07:13,200 我小時候的練習非常嚴格 39 00:07:13,280 --> 00:07:17,320 （四個月大紀念照） 40 00:07:20,360 --> 00:07:22,360 對他來說 一剛開始那幾年非常有挑戰性 41 00:07:22,440 --> 00:07:25,200 有很多鋼琴比賽，很多壓力 42 00:07:25,280 --> 00:07:26,920 對一個小男孩來說，壓力是很大的 43 00:07:27,000 --> 00:07:30,520 在這個新世代，大家都有很多… 44 00:07:31,320 --> 00:07:32,680 你知道的，嗜好 45 00:07:32,760 --> 00:07:35,480 但我小時候，我或許更專注於音樂 46 00:07:35,560 --> 00:07:39,720 他總是充滿熱忱，也非常真誠 47 00:07:39,800 --> 00:07:44,240 他的故事也反映出許多迪士尼價值 48 00:07:44,320 --> 00:07:47,800 要相信你的夢想，也要鼓起勇氣 49 00:07:48,200 --> 00:07:50,600 接受挑戰與冒險 50 00:07:50,840 --> 00:07:53,720 最重要的是要有一顆善良的心 51 00:07:53,800 --> 00:07:55,240 我花了很多時間練琴 52 00:07:55,320 --> 00:07:59,160 我想我六歲時一天大概要練六小時的琴 53 00:07:59,240 --> 00:08:04,560 我要練習所有大調、小調音階 54 00:08:04,960 --> 00:08:07,840 琶音、和弦、八度音 55 00:08:07,920 --> 00:08:10,560 然後我開始學習各種音樂作品 56 00:08:10,720 --> 00:08:14,760 像是巴哈、莫札特到中國民謠 57 00:08:14,920 --> 00:08:19,720 事實上，每天我衹有約卅分鐘能看電視 58 00:08:19,800 --> 00:08:22,400 然後我利用那卅分鐘看卡通 59 00:08:22,800 --> 00:08:27,400 米老鼠、唐老鴨、高飛 還有那些很棒的角色 60 00:08:27,480 --> 00:08:31,680 這些偉大的動畫鼓勵了我 61 00:08:31,920 --> 00:08:34,480 幫助我了解人生 62 00:08:34,560 --> 00:08:37,520 幫助我學習不同文化 63 00:08:37,600 --> 00:08:41,560 也是我辛苦練習時的一種解脫 64 00:08:41,640 --> 00:08:46,160 每天的那卅分鐘 就是我搭乘魔毯的時光 65 00:08:49,160 --> 00:08:53,600 古典音樂是迪士尼電影 成功的要素之一 66 00:08:53,680 --> 00:08:56,280 迪士尼的音樂風格 67 00:08:56,560 --> 00:08:59,880 必須慷慨激昂、觸動人心 68 00:08:59,960 --> 00:09:02,440 一定要情感豐沛 69 00:09:03,200 --> 00:09:07,160 在郎朗成為父親後 他的內心變得更堅強 70 00:09:07,240 --> 00:09:08,720 同時也變得更柔軟 71 00:09:08,800 --> 00:09:13,800 真正改變我的是當我有了第一個孩子之後 72 00:09:13,880 --> 00:09:17,800 我開始彈奏《泰山》的歌曲時 我發現透過我兒子 73 00:09:17,880 --> 00:09:20,120 一段全新的迪士尼旅程才正要展開 74 00:09:20,200 --> 00:09:23,640 我也覺得跟這個角色的關係更加緊密 75 00:09:49,000 --> 00:09:51,520 （《你在我心中》出自電影《泰山》） 76 00:09:51,600 --> 00:09:54,200 （特別演唱者：艾飛鮑伊 東尼獎獲獎歌手） 77 00:09:54,760 --> 00:09:58,880 （別再哭泣，不會有事） 78 00:09:59,400 --> 00:10:03,720 （緊握我的手，別放開） 79 00:10:04,120 --> 00:10:08,600 （我會無微不至地保護你） 80 00:10:08,960 --> 00:10:13,760 （我會陪伴著你，別哭泣） 81 00:10:23,360 --> 00:10:27,560 （你我的親情堅不可摧） 82 00:10:27,920 --> 00:10:32,240 （我就在這裡，別哭泣） 83 00:10:32,760 --> 00:10:37,320 （你在我心中） 84 00:10:37,400 --> 00:10:41,400 （你永遠會在我心中） 85 00:10:42,440 --> 00:10:49,400 （從今起直到永遠） 86 00:11:02,120 --> 00:11:08,720 （從今起直到永遠） 87 00:11:15,320 --> 00:11:19,520 （為何他們無法理解我們的感受？） 88 00:11:20,200 --> 00:11:24,320 （他們不信任解釋不了的事物） 89 00:11:24,920 --> 00:11:29,800 （我知道我們有所不同 但是在內心深處） 90 00:11:29,880 --> 00:11:34,680 （我們絲毫沒有差異） 91 00:11:35,040 --> 00:11:39,480 （你在我心中） 92 00:11:39,760 --> 00:11:43,760 （你永遠會在我心中） 93 00:11:44,640 --> 00:11:47,120 （從今起） 94 00:11:47,360 --> 00:11:52,160 （直到永遠） 95 00:12:04,200 --> 00:12:11,200 （這是你的命運，你得要堅強） 96 00:12:12,000 --> 00:12:18,480 （也許我不在你身邊了 但你要繼續往前走） 97 00:12:19,200 --> 00:12:25,840 （他們遲早會看見的） 98 00:12:26,760 --> 00:12:30,520 （我很確定） 99 00:12:30,920 --> 00:12:37,880 （我們會攜手讓他們見識到的） 100 00:12:42,960 --> 00:12:47,600 （你在我心中） 101 00:12:47,840 --> 00:12:52,600 （你永遠會在我心中） 102 00:12:53,080 --> 00:12:55,720 （從今起） 103 00:12:56,040 --> 00:13:03,040 （直到永遠） 104 00:13:06,640 --> 00:13:13,160 （你在我心中） 105 00:13:17,400 --> 00:13:24,400 （你在我心中） 106 00:13:26,160 --> 00:13:33,160 （直到永恆，直到永遠） 107 00:13:38,040 --> 00:13:41,320 （直到永遠） 108 00:13:47,200 --> 00:13:52,760 （我會陪伴你直到永遠） 109 00:13:58,720 --> 00:14:05,720 （我會陪伴你直到永遠） 110 00:14:49,480 --> 00:14:51,680 -嘿，太棒了，那太棒了 -祝福你 111 00:14:52,880 --> 00:14:54,000 謝謝 112 00:15:17,480 --> 00:15:21,400 （《來餵鳥吧》 出自電影《歡樂滿人間》） 113 00:18:17,400 --> 00:18:21,840 在我們古典音樂界裡 總會存在一種危機感 114 00:18:21,920 --> 00:18:24,240 你不知道自己能走多遠 115 00:18:24,320 --> 00:18:27,400 有時在古典音樂世界裡 我們太安逸了 116 00:18:27,480 --> 00:18:29,880 你知道為什麼嗎？因為我們演奏的每一首曲目 117 00:18:29,960 --> 00:18:32,480 都已存在皕年了 118 00:18:32,560 --> 00:18:38,000 如果你仔細觀察好萊塢和流行文化 119 00:18:38,520 --> 00:18:41,280 如果他們沒有創新，就會被淘汰了 120 00:18:41,720 --> 00:18:45,880 他們絕對會被淘汰 五年後就沒人記得他們了 121 00:18:46,360 --> 00:18:48,360 對，所以那就是很大的差別 122 00:18:48,680 --> 00:18:54,000 我們必須溝通，也要創造一些聲音 123 00:18:56,440 --> 00:18:59,960 他喜歡創造願景和新的旅程 124 00:19:00,040 --> 00:19:02,720 某一天，他演奏柴可夫斯基的《鋼琴協奏曲》 125 00:19:02,800 --> 00:19:05,840 隔天，他就演奏巴哈的《郭德堡變奏曲》 126 00:19:06,080 --> 00:19:09,360 然後下週，他演奏動聽的迪士尼曲目 127 00:19:09,440 --> 00:19:13,240 我覺得他能把不同的領域 串聯在一起，非常不可思議 128 00:19:13,320 --> 00:19:16,840 他可以把非常複雜、難以理解的音樂 129 00:19:16,920 --> 00:19:19,560 變得平易近人 130 00:19:19,640 --> 00:19:23,360 他也能透過音樂凝聚人心 131 00:19:26,080 --> 00:19:30,920 迪士尼音樂有股魔力 帶領觀眾進入一個奇幻的世界 132 00:19:32,520 --> 00:19:34,760 你會聽到各種不同的旋律 133 00:19:35,040 --> 00:19:39,320 不衹源自於一種文化 134 00:19:39,720 --> 00:19:41,560 有來自中國的《花木蘭》 135 00:19:41,640 --> 00:19:44,800 中東的《阿拉丁》 136 00:19:44,960 --> 00:19:49,440 哥倫比亞的《魔法滿屋》 或來自墨西哥的《可可夜總會》 137 00:19:49,600 --> 00:19:51,800 有許多來自歐洲的童話故事 138 00:19:51,880 --> 00:19:54,200 有以美國為背景的故事 139 00:19:54,600 --> 00:19:58,440 你的眼界會因此更開闊 140 00:19:58,520 --> 00:20:01,720 我覺得這該是我們… 141 00:20:01,800 --> 00:20:03,360 試圖理解音樂的方式 142 00:20:03,440 --> 00:20:06,000 我試著走出舒適圈 143 00:20:06,080 --> 00:20:10,240 用精彩的迪士尼音樂創造出不同感覺 144 00:20:10,320 --> 00:20:14,360 但是以古典音樂的形式來接觸新的聽眾 145 00:20:14,600 --> 00:20:17,440 讓他們有全新的體驗 146 00:20:25,000 --> 00:20:27,760 （《我們不提布魯諾》 出自電影《魔法滿屋》） 147 00:22:53,240 --> 00:22:55,960 （《勿忘我》 出自電影《可可夜總會》） 148 00:22:56,040 --> 00:22:58,360 （特別演出 吉他手普利尼奧費南德斯） 149 00:28:02,120 --> 00:28:06,560 好，我們能不能再練一遍，在… 150 00:28:07,160 --> 00:28:09,080 我是說，比較困難的地方 151 00:28:09,320 --> 00:28:10,760 對我來說有點太慢了 152 00:28:13,240 --> 00:28:15,800 不然我沒辦法跟上…沒錯 153 00:28:21,000 --> 00:28:22,040 所以像是前兩個小時… 154 00:28:22,120 --> 00:28:24,360 郎朗這個人… 155 00:28:24,760 --> 00:28:26,440 跟我們在不同的頻率上 156 00:28:26,800 --> 00:28:30,280 他像是漂浮在雲端之上 從宇宙中挑選他要的東西 157 00:28:30,360 --> 00:28:32,280 在魔毯上飛行 158 00:28:32,440 --> 00:28:34,960 他會讓自己進入一種狀態 159 00:28:35,040 --> 00:28:36,640 他不會約束自己 160 00:28:37,120 --> 00:28:43,120 我想這對於受音符和樂譜主宰 的古典音樂界來說不太常見 161 00:28:43,200 --> 00:28:44,640 -很棒 -很棒 162 00:28:44,800 --> 00:28:46,720 -好，再來是《倒影》 -《倒影》 163 00:28:47,320 --> 00:28:50,080 這個企劃的挑戰之一 164 00:28:50,720 --> 00:28:53,200 其實是相當困難的 165 00:28:53,280 --> 00:28:57,280 要如何將迪士尼電影現有的 166 00:28:57,560 --> 00:29:00,200 偉大旋律 167 00:29:00,280 --> 00:29:02,720 變成有管弦樂團協奏的鋼琴作品呢？ 168 00:29:02,800 --> 00:29:06,080 你希望那稍微… 那樣的節奏會不會有點拖太長？ 169 00:29:06,360 --> 00:29:08,280 -你說D嗎？等我一下 -好 170 00:29:11,280 --> 00:29:15,520 -要不要從那些八度音開始？ -好啊，當然，從三小節前 171 00:29:15,600 --> 00:29:18,240 我們知道我們想演奏這些迪士尼知名曲目 172 00:29:18,960 --> 00:29:22,240 跟郎朗這種藝術家合作的問題是 173 00:29:22,320 --> 00:29:25,840 他的鋼琴技巧如此高超 174 00:29:25,920 --> 00:29:28,880 是古典鋼琴界的第一把交椅 175 00:29:28,960 --> 00:29:31,840 你要如何幫助世上最偉大的鋼琴家 176 00:29:31,920 --> 00:29:34,360 演奏這些歌曲和旋律？ 177 00:29:34,520 --> 00:29:36,880 我們很幸運能跟… 178 00:29:36,960 --> 00:29:40,920 幾位世上最偉大的鋼琴作曲家合作 179 00:29:41,160 --> 00:29:43,080 你必須重新編寫很多東西 180 00:29:43,160 --> 00:29:48,000 像是旋律、加入和聲與琶音 181 00:29:48,080 --> 00:29:49,680 還有八度音 182 00:29:49,760 --> 00:29:53,280 你可以感受到這是真正的室內樂 183 00:29:53,360 --> 00:29:55,520 是一首鋼琴協奏曲 184 00:29:55,920 --> 00:29:59,280 那讓我在彈奏時感到無比快樂 185 00:29:59,360 --> 00:30:03,840 所以你們大概在這裡要停止，記得吧？ 186 00:30:09,520 --> 00:30:12,200 這次排練令人感到震撼 187 00:30:12,400 --> 00:30:16,800 我看到他對這個企劃投入 了多少心血、精神和靈魂 188 00:30:16,880 --> 00:30:21,880 找來偉大的音樂家、作曲家合作 189 00:30:21,960 --> 00:30:26,360 一起激盪出最好、最獨特和最精湛的編曲 190 00:30:26,440 --> 00:30:27,920 讓聽眾聽得開心 191 00:30:28,000 --> 00:30:31,560 並讓大家享受迪士尼音樂之美 192 00:30:31,640 --> 00:30:35,600 他想做的就是透過鋼琴來傳達情感 193 00:30:35,680 --> 00:30:39,240 把這理念搭配這個卓越的技術設施 194 00:30:39,320 --> 00:30:41,440 他想要什麼都應有盡有 195 00:30:41,920 --> 00:30:44,160 我們就能創造出超過十隻手指的可能 196 00:30:44,240 --> 00:30:48,040 標準設定得非常高，考慮非常周全 197 00:30:48,120 --> 00:30:50,160 而這一切的重點在於說故事 198 00:30:50,560 --> 00:30:56,040 鋼琴的彈奏必須營造出童話般的氛圍 199 00:30:56,120 --> 00:30:59,800 所有精細的技巧要夠輕、夠快 200 00:31:00,040 --> 00:31:03,200 技巧必須百分之百融入在音樂中 201 00:31:03,280 --> 00:31:05,000 如果做得太誇張，我們就必須減少 202 00:31:05,080 --> 00:31:09,120 這不是為了要炫技，你懂嗎？ 203 00:31:09,200 --> 00:31:13,400 或某種噱頭 不是要說“嘿，你看我彈得多快” 204 00:31:13,640 --> 00:31:16,120 有些時候需要彈得很快 205 00:31:16,200 --> 00:31:17,800 我們就可以秀一下，對吧？ 206 00:31:17,880 --> 00:31:21,320 但如果不需要或做得太誇張我們就需要減少 207 00:31:21,400 --> 00:31:23,040 我們必須以音樂為重 208 00:31:27,800 --> 00:31:34,800 （《嶄新的世界》 出自電影《阿拉丁》） 209 00:35:44,480 --> 00:35:46,360 （《倒影》，出自電影《花木蘭》） 210 00:35:46,440 --> 00:35:50,680 （特別演出：二胡演奏者王嘯） 211 00:40:07,000 --> 00:40:08,000 太棒了… 212 00:40:22,920 --> 00:40:24,600 -哈囉，各位 -嗨 213 00:40:24,680 --> 00:40:26,400 -你們今早都還好嗎？ -嗨 214 00:40:26,480 --> 00:40:27,600 嗨 215 00:40:31,240 --> 00:40:34,240 -你們學鋼琴學多久了？ -三年 216 00:40:34,320 --> 00:40:35,320 已經學三年了？ 217 00:40:36,000 --> 00:40:37,440 這傢伙是音樂家了 218 00:40:37,520 --> 00:40:39,560 或許我應該先讓你們彈奏 219 00:40:39,720 --> 00:40:42,560 我們先即興彈些音樂，玩一玩 220 00:40:42,640 --> 00:40:44,600 再看接下來要怎麼做，好嗎？ 221 00:40:44,680 --> 00:40:46,200 經過這些年 222 00:40:46,280 --> 00:40:50,120 我們知道音樂對孩子們的生活會有什麼影響 223 00:40:53,000 --> 00:40:57,320 有些孩子不一定有機會 224 00:40:57,400 --> 00:41:01,280 能親近和接觸音樂 225 00:41:01,360 --> 00:41:03,280 並學習樂器 226 00:41:03,360 --> 00:41:08,280 所以郎朗從二零零八年開始就創立了他的基金會 227 00:41:08,360 --> 00:41:10,240 他想走進公立學校 228 00:41:10,320 --> 00:41:14,240 因為學校的課程已經沒有包含音樂了 229 00:41:14,320 --> 00:41:18,320 我每到一個地方通常都會去參觀一下學校 230 00:41:19,040 --> 00:41:24,000 我們在全球大概有一百所學校 像是在中國、美國 231 00:41:24,080 --> 00:41:25,840 現在我們要前進歐洲 232 00:41:25,920 --> 00:41:29,560 我們支持孩子學音樂是相當重要的 233 00:41:29,640 --> 00:41:35,720 尤其是在城市中較為落後的地區 234 00:41:35,800 --> 00:41:38,200 我彈奏根音，而你們可以… 235 00:41:44,680 --> 00:41:45,840 很好… 236 00:41:45,920 --> 00:41:49,280 我已經厭倦了去學校考察 237 00:41:49,360 --> 00:41:52,640 我們一生可能就去一次 238 00:41:52,720 --> 00:41:57,280 我們或許很開心 但實際上，你並沒有真正幫助到他們 239 00:41:57,360 --> 00:42:01,040 等音樂家離開後 他們又不會有音樂課了 240 00:42:01,120 --> 00:42:02,760 我們必須有所行動 241 00:42:02,840 --> 00:42:07,680 真正地深入學校系統 242 00:42:07,760 --> 00:42:12,480 我們的目標是改進我們的教育工具 243 00:42:12,840 --> 00:42:17,360 每個班上都會放智慧數位鋼琴 244 00:42:17,440 --> 00:42:20,240 大概廿到卅臺 245 00:42:20,320 --> 00:42:23,800 每個孩子不僅能上到課 246 00:42:23,880 --> 00:42:26,680 也有機會能彈奏 247 00:42:26,760 --> 00:42:29,160 這就是我的目標 對，孩子要能摸到琴鍵 248 00:42:35,840 --> 00:42:38,120 我每次去參觀學校時 249 00:42:38,280 --> 00:42:41,360 那些孩子總會問我 “嘿，你能彈幾首迪士尼的歌嗎？” 250 00:42:41,440 --> 00:42:46,240 在錄製過《迪士尼動畫精選輯》後我準備得更齊全了 251 00:42:46,320 --> 00:42:50,680 現在在研究過這些歌曲後一切變得更有趣了 252 00:42:50,760 --> 00:42:53,960 而我會分享給孩子們並要求他們學習 253 00:42:54,040 --> 00:42:55,040 很多孩子 254 00:42:55,120 --> 00:42:59,320 因為那些音樂課而變得更喜歡去上學 255 00:42:59,400 --> 00:43:01,600 那能讓他們建立自信 256 00:43:01,680 --> 00:43:04,560 並透過音樂實現他們的夢想 257 00:43:04,640 --> 00:43:09,200 因為他們知道自己本來就有實力 258 00:43:09,280 --> 00:43:13,080 衹是需要一點火花、一個機會讓他們能發光發熱 259 00:43:13,400 --> 00:43:15,680 音樂是最公平的… 260 00:43:15,760 --> 00:43:18,520 應該要是最公平的藝術形式 261 00:43:18,600 --> 00:43:21,720 不管你的背景是什麼 262 00:43:21,800 --> 00:43:23,640 在臺上，大家都是平等的 263 00:43:23,720 --> 00:43:27,480 如果你在臺上表現好 世界就會支持你 264 00:43:36,440 --> 00:43:42,840 （《今夜感覺我的愛》 出自電影《獅子王》） 265 00:46:03,320 --> 00:46:07,600 謝謝… 266 00:46:21,480 --> 00:46:23,080 我其實沒看過這部 267 00:46:24,440 --> 00:46:25,440 拉赫曼尼諾夫 268 00:46:28,400 --> 00:46:29,520 《前奏曲》 269 00:46:51,520 --> 00:46:53,000 好豐富的想像力 270 00:46:58,840 --> 00:46:59,840 太棒了 271 00:47:00,000 --> 00:47:01,400 我覺得非常佩服 272 00:47:01,480 --> 00:47:04,880 因為老實說我並不知道這部電影的存在 273 00:47:05,840 --> 00:47:07,840 那真的是音樂家的生活 274 00:47:09,520 --> 00:47:11,480 你看，用拳頭打鋼琴 275 00:47:12,840 --> 00:47:16,720 當孩子討厭練琴時就會用拳頭敲打鋼琴 276 00:47:17,440 --> 00:47:18,800 真的就是像那樣 277 00:47:21,440 --> 00:47:25,600 你在這部短片裡能看到 278 00:47:26,480 --> 00:47:28,680 不同學派的鋼琴技巧 279 00:47:28,760 --> 00:47:33,080 對細節的描述很驚人 這種對鋼琴又愛又恨的情況 280 00:47:36,920 --> 00:47:39,240 這一直都存在於我們的想像中 281 00:47:39,760 --> 00:47:43,520 我覺得米老鼠一百年前就知道了 282 00:47:43,600 --> 00:47:45,240 這真的讓我留下深刻印像 283 00:47:45,320 --> 00:47:49,240 能在這麼多年前想像出這些事真令人佩服 284 00:47:49,320 --> 00:47:53,320 古典音樂在當時就已經非常… 285 00:47:54,320 --> 00:47:56,240 多元了 286 00:48:00,880 --> 00:48:06,320 這證明了一百年前 287 00:48:06,400 --> 00:48:12,000 迪士尼就將古典音樂融入他們偉大的創作裡 288 00:48:12,080 --> 00:48:15,080 而且能夠看到直接來自 289 00:48:15,520 --> 00:48:18,000 古典音樂的靈感 290 00:48:18,080 --> 00:48:19,680 與迪士尼結合 291 00:48:20,520 --> 00:48:22,560 這是非常驚人的 292 00:48:22,640 --> 00:48:25,360 在迪士尼如此早期的電影中 293 00:48:25,440 --> 00:48:29,360 看到這種連結，令人覺得不可思議 294 00:48:58,360 --> 00:48:59,880 （《寄望於星辰》） 295 00:48:59,960 --> 00:49:03,960 （出自電影《木偶奇遇記》 特別演唱者：吉娜艾麗絲） 296 00:49:30,240 --> 00:49:33,480 （每一顆新星誕生時） 297 00:49:33,880 --> 00:49:38,680 （都伴隨著一、兩個天賦） 298 00:49:39,600 --> 00:49:42,960 （這就是其中之一） 299 00:49:43,840 --> 00:49:48,440 （它們擁有魔力） 300 00:49:49,200 --> 00:49:55,680 （能讓一個願望成真） 301 00:49:56,760 --> 00:50:01,560 （當你向星星許願時） 302 00:50:01,680 --> 00:50:06,360 （無論你是誰都一樣） 303 00:50:06,440 --> 00:50:11,240 （所許的願望） 304 00:50:11,320 --> 00:50:17,320 （都會成真） 305 00:50:17,960 --> 00:50:22,120 （若你真心夢想） 306 00:50:22,200 --> 00:50:26,400 （沒有做不到的事） 307 00:50:26,480 --> 00:50:31,720 （當你向星星許願時） 308 00:50:31,880 --> 00:50:36,680 （如同幻想家一般） 309 00:50:37,240 --> 00:50:41,640 （命運之神是如此仁慈） 310 00:50:41,720 --> 00:50:45,280 （她為懂得愛之人帶來禮物） 311 00:50:45,800 --> 00:50:48,400 （秘密心願） 312 00:50:48,480 --> 00:50:55,400 （得以滿足的甜蜜滿足感） 313 00:51:22,080 --> 00:51:25,720 （出乎意料之外） 314 00:51:26,360 --> 00:51:27,920 （命運之神） 315 00:51:28,360 --> 00:51:33,720 （照顧著你） 316 00:51:33,800 --> 00:51:38,880 （當你） 317 00:51:38,960 --> 00:51:41,840 （向星星許願時） 318 00:51:42,000 --> 00:51:45,360 （你的夢想） 319 00:51:45,440 --> 00:51:52,280 （會成真） 320 00:51:52,360 --> 00:51:57,840 （會成真） 321 00:52:09,040 --> 00:52:10,480 她真是太棒了 322 00:53:20,640 --> 00:53:24,640 （《放開手》 出自電影《冰雪奇緣》） 323 00:56:45,800 --> 00:56:46,840 謝謝 324 00:56:47,680 --> 00:56:48,960 太動聽了 325 00:56:49,680 --> 00:56:50,600 謝謝 326 00:57:28,240 --> 00:57:33,160 這場演奏會展現了我們的目標 327 00:57:33,240 --> 00:57:38,680 目的就是讓每個人找回一顆赤子之心 328 00:57:38,760 --> 00:57:41,720 不管你的年紀是大是小 329 00:57:44,120 --> 00:57:47,960 迪士尼音樂有股魔力 你可以有無限的想像 330 00:57:50,760 --> 00:57:55,760 那些優秀的音樂家是我童年的夢想 331 00:57:55,840 --> 00:57:57,680 所以我希望… 332 00:57:58,960 --> 00:58:02,680 這股能量能激勵世界各地的人 333 00:58:02,760 --> 00:58:04,440 實現他們的夢想